White Psyche

16 September 2020 – January 2021

White dominance is often unacknowledged. It has been the norm and the ideal in European art. It is so very visible in the Whitworth’s collection that it typically passes without comment. Here, as part of its work to shift this unconscious bias, the gallery focuses its gaze on the aesthetics of white supremacy in a story about love and good looks.

Ancient Greek and Roman art and literature is described as classical. Because of the Roman conquest of parts of North Africa, this includes the Berber writer Apuleius’s story of Cupid and Psyche; his creative output was absorbed by the dominant culture. Classical ideals were reborn in the cultural Renaissance that began in Italy in the fourteenth century. Cupid and Psyche look like northern Europeans in countless stories, paintings, and sculptures. The mistaken belief that the ancients saw white marble (and white skin) as the epitome of beauty took seed. Classical artworks began to set standards for taste and beauty in art and museums that have only begun to be questioned.

The Whitworth opened in 1897 with a room full of white casts of classical statues with the intention of cultivating ‘good taste’ in Manchester. In a disturbing flattened echo of the gallery of casts, every scene in the monochrome wallpaper version of Cupid and Psyche is shrouded in white marble architecture and clouds, white skin draped in white cloth. This exhibition is an opportunity to look consciously at this overwhelming whiteness.

White Psyche is immortalised. This reaches beyond the mythological story and the history of art and museums to the wider world, from the decoration of the Trafford Centre to the popular visual culture of romance.


Caption: Psyche about to stab the sleeping Cupid, 1816, Wallpaper.  Makers: Merry Joseph Blondel (1781-1853); Louis Lafitte (1770-1828); Dufour et Cie, Paris (1804-1865). The Whitworth, The University of Manchester


Further information:
  • Restricted opening hours Wednesday – Sunday, 11.00 am – 4.00 pm. Booking is essential
  • Location: The University of Manchester, Oxford Road, Manchester, M15 6ER
  • Getting there: By foot: 20-30 minures from Manchester city centre; By Bike: Sheffield stands and lockers (£1 coin, refundable) both available at the gallery; By Bus: 15, 41, 42, 43, 140 – 143, 147 – ask for bus stop nearest MRI, Oxford Road; By Metrolink: St Peter’s Square (plus 10 minutes on the bus or 20 minutes on foot); Train: Oxford Road (plus 10 minutes on the bus or 20 minutes on foot); By Car: On-street parking (maximum stay, 2 hours) on Denmark Road. Nearest car park Cecil Street
  • Admission is free