Donkey Work

Of the animals domesticated by humans throughout history, the humble donkey is the most commonly utilised creature and, arguably, the most important. The donkey is the original beast of burden and has, for millennia, been at the forefront of the development of successive civilisations.

Donkeys have always been and continue to be a dependable apparatus of progress. These deferential animals play a vital role in systems of labour across the globe. From facilitating the movement of people and goods; to generating power in food production, farming and agriculture; to providing logistical solutions in architecture. Given their usefulness, it is no surprise that their impact is timeless and universal. We find them in the mythologies of the Ancient Greeks and as central figures in religious texts, as well as recorded in history as playing significant roles in the Industrial Revolution, the Great Wars, and the cultural evolution of seaside tourist destinations, such as Blackpool.

Donkey Work is a group exhibition that examines the historic and cultural impact of the original proletariat – the donkey. The show positions the donkey as a medium through which artists and audience explore themes of labour, leisure, value, wealth.

Donkey Work includes work by: Marina Abramović, Richard Ansdell, Alfred Bennett, Andrea Büttner, Sarah Dobai, Richard Eurich, Laura Ford, Frederik Goodall, Lubaina Himid, Paul Nash, Şener Özmen & Erkan Özgen, and Annie Whiles.

Donkey Work was originated by Tom Ireland (Operations Officer, Grundy Art Gallery) and developed in collaboration with Paulette Brien (Curator, Grundy Art Gallery).

 

Further information:

http://www.grundyartgallery.com/